Contemporary

The AC Hotel was one of the first buildings in Barcelona in which a ventilated façade system was used with a light inner layer made of cement boards over metal folded sheet profiles. 

Since then, these systems have evolved to provide a clearer solution regarding  the continuity of the thermal insulation and air tightness. This is achieved by improving the solution in the slab edge and with the adequate treatment of joints. 

Profiled metal trays, which are so common in industrial buildings, find a new use in this residential complex in Guadalajara, Spain. 

Although we greatly appreciate the cleverness and simplicity of the solution, there are problems we cannot deny: thermal bridges through the metal ribs, the lack of water vapour permeability and the compositional limitations derived from the tray width. 

This mixed-use complex apparently resorts to the use of ceramics to integrate the building into a historic industrial district that still conserves nineteenth-century architecture: 22@ in Barcelona. However, the use of a specific material is not enough to consider that a building is integrated into a context.

Material is not simply matter: it is a format, a construction technique and a system. What emerges from all this is a character of place that transcends the material.

Here we aim to exemplify the careful use of materials with which HArquitectes resolve their architecture, and therefore their façades. On this occasion, only two materials are used: thermal insulation and perforated brick (gero). In the inner wall, the structural support, the brick is arranged in such a way as to withstand the loads transmitted by the slab. In the outer wall, the same brick is rotated to show its perforated surface, which ventilates the cavity between the two walls.

Façades formed by double walls may suffer from condensation of water on the cold side of the insulation. This problem is difficult to solve when the aim is to preserve the water vapour diffusivity of the entire enclosure. The outer wall will hardly dissipate water vapour before it condenses. HArquitectes solved the problem in this house in Sant Cugat by means of regular microventilations, which escape from the traditional image of a cavity wall. Rainwater tightness is entrusted to the characteristics of the outer ceramic layer. 

 

Renzo Piano provides several examples of interesting ceramic façades, despite the problems that some of them may have suffered over time.

The façade of the Sant Jordi student residence building is characterized by the continuity of the zinc sheet. This sheet covers the opaque wall and the windows; in this second case as an outer shutter.

The façade escapes from verticality with a discreet, but sufficient, gesture.

St Giles is one of the latest projects by Renzo Piano’s studio that has a dry fixed ceramic façade. In this case, the architects resorted to unitized panels for its construction.

The building that B01 Architects built for Carburos Metálicos in Barcelona's Carrer d'Aragó, and some of the works of Catalan architects Tous i Fargas, illustrate the need, at that time, of developing industrialized construction systems for the blind area of the facade. The aim was to build a blind façade with a technology similar to that used by the glass and aluminium industry for glazed envelopes.

Saint Paul's Crossing building is a good example of using various façade solutions for a continuous glass skin.